Bach Bibliography
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1. Iguchi, Motonari; Tsuchikawa, Masahiro; Fukui, Naotoshi (eds.)Invention 2-Seibu to 3-Seibu / Bach = Inventionen: 15 Inventionen und 15 Symphonien. Tokyo: Shunjusha Shohakukan, 1943 (Showa 18). (= Shunju Gakufu 1) [BWV 772-801] 1943
2. Henderson, A. M. (ed.)Lord Jesu Christ, with us abide ... Chorale for voices in unison ... Edited by A. M. Henderson. - London, Glasgow: Bayley & Ferguson, 1931. (= The Choral Album, No. 1471) 1931
3. Zadora, Michael (arr.)Konzert für Orgel / Wilhelm Friedemann Bach. für Pianoforte bearb. v. Michael v. Zadora. - Berlin: Simrock [1911] 1911
4. Henderson, A. M. (arr.)Herzlich thut mich verlangen. (My heart and my flesh cry out for the living God). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 4-5. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 727] 1910 4-5
5. Henderson, A. M. (arr.)Erbarm dich mein, O Herre Gott. (Have mercy upon me, O Lord). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 6-8. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 721] 1910 6-8
6. Henderson, A. M. (arr.)Liebser Jesu, wir sind hier. (Blessed Jesus we are here). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 9. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 633] 1910 9
7. Henderson, A. M. (arr.)Es ist das Heil uns kommen her. (How is salvation come unto us). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 10-11. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 638] 1910 10-11
8. Baczewska, MagdalenaIn Search of Bach's Cantabile: The Role and Aspects of Oratory and Singing in Keyboard Interpretation. Lambert Academic Publishing AG & Co. KG., 2009. 104p. ISBN 978-3-8383-0468-7. 2009 104p
9. Zadora, Michael (arr.)Prelude and Fugue in G minor (for organ). Transcribed for the piano by Michael Zadora. - New York: G. Schirmer, [1955] 11p. [Präludien und Fugen für Orgel. Erste Folge. No. 5] 1955 11p
10. Henderson, A. M. (arr.)Ich ruf' zu dir, Herr Jesu Christ. (O Lord my God, I cry to Thee). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 12-13. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 639] 1910 12-13
11. Henderson, A. M. (arr.)Herr Gott nun sei gepreiset. (We praise Thee O God). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 14-15. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 601] 1910 14-15
12. Henderson, A. M. (arr.)Wachet auf ruft uns die Stimme. (Wake, awake for night is flying). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 16-19. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 645] 1910 16-19
13. Kushida, MagoichiBunkyojo no Bach. [Bach in a branch school] Tokyo: Ongaku Kansho Kyoiku Shinkokai, 1978, 174p. 1978 174p
14. Henderson, A. M. (arr.)Selected Movements from the Orchestral Suites / Bach Transcribed for the pianoforte by A. M. Henderson. - London: Bayley & Ferguson, c1911. 19p. Pl.-Nr.: Bach Transcriptions Book 2. (= Bach transcriptions, Book 2) [Polonaise (BWV 1067/6), Minuet (BWV BWV 1067/7), Badinerie (BWV 1067/8), Minuet (BWV 1066/6-7), Bourée (BWV 1066/8-9), Gavotte (BWV 1068/3-4), Bourée (BWV 1068/5)] 1911 19p
15. Henderson, A. M. (arr.)O Mensch bewein' dein' Sünde gross. (O man bewail thy heavy sin). CHORAL PRELUDE BY BACH. Transcribed for Piano by A. M. HENDERSON. - London: Bayley & Fersuson Ltd; New York: G. Schirmer, 1910. pp. 20-23. (= Eight Organ Choral Preludes (Bach): Transcribed for the Pianoforte by A. M. Anderson) [BWV 622] 1910 20-23
16. Tsukioka, Masaaki (ed.)Praeludium et Fuga in D, BWV 532 / Johann Sebastian Bach. Osaka: Pax-Allen, 2006. 20p. C3073. ISBN: 4-938185-20-2. [BWV 532] 2006 20p
17. Koshikakezawa, MaiBeethoven to Baroque Ongaku: 'Gakusei' wa Senjin kara Nani o manandaka. [Beethoven and Baroque Music: what 'the master musician' learned from the forerunners] - Tokyo: Ongaku no Tomo Sha, 2020. 225, xiii p. (= Orphée) 2020 225, xiii p
18. Yamada, MitsuguBach to Rauten Klavier: Ushinawareta Gakki o motomete. [Bach and Lautenklavier: in search of the lost instrument] - Tokyo: Sinfonia, 2001. 242p. ISBN: 4883953750. 2001 242p
19. Yamada, MutsuguBach to Lauten-Klavier: Ushinawareta Gakki o motomete. [Bach and Lautenklavier: in search of the lost instrument] Tokyo: Sinfonia, 2001. 242p. ISBN: 4883953750. 2001 242p
20. Akiyama, MotooBach Zuiso. [Essays on Bach] Tokyo: Bungei sha, 2004. 273p. ISBN: 4-8355-7635-7. 2004 273p
21. Schmidt, Gustav Martin (arr.)Sinfonie ou Suite à grand Orchestre composée par Jean Sebastian Bach arrangée pour le Pianoforte à quatre mains par Gustav Martin Schmidt. - Leipzig: Bureau de musique de C. F. Peters, [1843]. 27p. Pl.-Nr.: 2827. [BWV 1068] 1843 27p
22. Agricola, MartinMusica Instrumentalis Deutsch. Wittemberg: Rhaw, 1529 - Leipzig: Breitkopf & Härtel, 1896. 295p; Hildesheim [u.a.]: Olms, 1969. 1529 295p
23. Machella, Maurizio (ed.)Opere dubbie e spurie per organo / J. S. Bach ; 3. A cura di Maurizio Machella. - Padova: Armelin Musica, c2004. 32p. Best.-Nr.: CM 013; Best.-Nr.: CM 13. (= Convivio musicale, 13) [Enth. BWV Anh. II 63; BWV Anh. II 70; BWV Anh. II 88; BWV Anh. II 90; BWV Anh. II 97; BWV Anh. II 101] c 2004 32p
24. Venezia, MikeJohann Sebastian Bach. Written and illustrated by Mike Venezia. - New York; London; Hong Kong; Sydney; Danbury; Connecticut, 1998. 32p. (= Getting to know the world's greatest composers). 1998 32p
25. Iwata, MakotoNo to ongaku. [Brain and Music] Tokyo: Medikaru rebyusha, 2001. 340 p. 2001 340p
26. Stokowska, MagdalenaKto? Co? O muzyce i muzykach. Cietkawosti, Wiersze, Wypowiedzi, Anegdoty. Warschau: Pa'nstwowe zaklady Wydawnictwo Szkolnych 1971. 347p. [Wer? Was? Über Musik und Musiker. Späße, Verse, meinungen, Anekdoten.] 1971 347p
27. Štraub, Žan Mari [Straub, Jean-Marie]Anna Magdalena Bach. Beograd: Filmska redakcija Studenskog kulturnog centra, [1981]. 35p. (= Edorado; 2) 1981 35p
28. Henderson, A. M. (arr.)Selected pieces from Early classic masters. Transcribed for the pianoforte by A. M. Henderson. - London: Bayley & Ferguson, 1921. 35p. [Includes: Prelude and fugue in E minor / Bach ; Sicilienne (from "Organ concerto in D minor) / W. F. Bach.] 1921 35p
29. Machella, Maurizio (ed.)Opere dubbie e spurie per organo / J. S. Bach ; 5. A cura di Maurizio Machella. - Padova: Armelin Musica, c2008. 36p. Best.-Nr.: CM 015; Best.-Nr.: A1390M. ISMN: M-2158-1390-8. (= Convivio musicale, 15) [BWV 742-752, BWV 744 alio modo] c 2008 36p
30. Henderson, A. M. (ed.)Popular pieces for piano / Bach. Selected, edited and revised by A. M. Henderson. - London: Bayley & Ferguson, c1934. 36p. 1934 36p
31. Machella, Maurizio (ed.)Opere dubbie e spurie per organo / J. S. Bach ; 6. A cura di Maurizio Machella. - Padova: Armelin Musica, c2008. 39p. Best.-Nr.: Nr. Collana CM 081; Best.-Nr.: Nr. Catalogo A1391M. ISMN: M-2158-1391-5. (= Convivio musicale, 81) [BWV 753-765 und O Lamm Gottes, unschuldig (ohne BWV-Nr.)] c 2008 39p
32. Zadora, Michael (arr.)Orgelchoral (In dulci jubilo) / Johann Sebastian Bach. Für Klavier allein gesetzt von Michael von Zadora. - Berlin [u.a.]: Simrock, c 1912. 3p. Pl.-Nr. 12989. [BWV 368] 1912 3p
33. Zadora, Michael (arr.)Siciliano (aus der Es dur-Sonate für Pianoforte und Flöte) / Johann Sebastian Bach. für Pianoforte allein gesetzt von Michael von Zadora. - Berlin [u.a.]: Simrock, c1911. 3p. Pl.-Nr. 12840. [BWV 1031/2 (Anh. II)] 1911 3p
34. Kanazawa, MasakataKirisutokyo Ongaku no Rekishi: Shodai Kyokai kara J. S. Bach made. [A history of Christian music: From the early churches to J.S. Bach.] - Tokyo: Nihon Kirisuto Kyodan Shuppankyoku, 2005. 400p. ISBN: 4-8184-0550-7. 2005 400p
35. Machella, Maurizio (ed.)Opere dubbie e spurie per organo / J. S. Bach ; 1. A cura di Maurizio. - Padova: Armelin Musica, c2002. 41p. Best.-Nr.: CM 11. (= Convivio musicale, 11) [Die Vorlage enth. insgesamt 5 Werke ; Früheres Copyright bei Padova: Euganea Ed. Comunicazioni 1994] c 2002 41p
36. Machella, Maurizio (ed.)Opere dubbie e spurie per organo / J. S. Bach ; 4. A cura di Maurizio Machella. - Padova: Armelin Musica, c2005. 42p. Best.-Nr.: CM 14; Best.-Nr.: CM 014. (= Convivio musicale, 14) [BWV Anh. II 103; BWV Anh. II 104; BWV Anh. II 105; BWV Anh. II 106; Präludium c-Moll. Trio c-Moll. Choralbearbeitung 'Gottes Sohn ist kommen'. BWV 581 (Anh. II); BWV 597 (Anh. II); BWV Anh. III 181; BWV Anh. II 42; BWV Anh. II 46] c 2005 42p
37. Ushiyama, MitsuruOngaku Kansho no Chishiki. [Knowledge of Music Appreciation] - Tokyo: Kyobunsha, 1924. 470p. [J. S. Bach = pp.210-231; Brandenburg Concertos, pp. 334f.] 1924 470p
38. Matsubara, Masaki; Tojo, Satoshi; Hirata, KeijiOngaku Riron GTTM ni motozuku Ki-Kozo o mochiita Senritsu no Ninchiteki Ruijido no Doushutsu: Bach BWV 582 Passacaglia to Fuga no Bunseki o Rei ni. [Cognitive Similarity Grounded by Tree Distance based on GTTM: from the Analysis of BWV 582] The 28th Annual Conference of the Japanese Society for Artificial Intelligence, 2014 https://kaigi.org/jsai/webprogram/2014/pdf/72.pdf 2014 4p
39. Niitsuma, Masahiro; Schomaker, Lambert; Oosten, Jean-Paul van; Tomita, YoWriter Identification in Old Music Manuscripts Using Contour-Hinge Feature and Dimensionality Reduction with an Autoencoder. In: Richard Wilson et al. (eds.), Computer Analysis of Images and Patterns: 15th International Conference, CAIP 2013, York, UK, August 27-29, 2013, Proceedings, Part II (Berlin and Heidelberg: Springer-Verlag, 2013), pp. 555-562. ISBN: 978-3-642-40245-6 (Print) 978-3-642-40246-3 (Online). 2013 555-562
40. Henderson, A. M. (ed.)23 Organ Chorale Preludes / BACH. Selected, fingered and edited by A.M. Henderson. - Glasgow and London: Bayley & Ferguson, c.1925. 58p. [BWV 751, 716, 705, 737, 749, 667, 719, 721, 668a, 700, 615, 654, 706, 623, 645, 727, 609, 639, 643, 625, 680, 638, 622] 1925 58p
41. Schmidt, Christian Martin'Dem Höchsten Gott Allein Zu Ehren, Dem Nechsten, Draus Sich Zu Belehren'. Die musikalische Wissenschaft des Johann Sebastian Bach. In: Musik und Religion, hrsg. von Helga de LaMotte-Haber. Laaber, 1995, 286 S, S. 61-87. 1995 61-87
42. Henderson, A. M. (arr.)Selected Pieces from the Organ Works and Chamber Music / BACH. Transcribed for the Pianoforte by A. M. HENDERSON. - London: Bayley & Ferguson, 1913. 63p. [BWV 554, 1012/4, 558, 1010/4, 560, 1031/2, 549, 650, 35/5, 1006/4-5] 1913 63p
43. Machella, Maurizio (ed.)Opere dubbie e spurie per organo / J. S. Bach ; 2. A cura di Maurizio Machella. - Padova: Euganea Ed. Comunicazioni, 1995. 64p. (= Convivio musicale, 12) [Enth.: BWV Anh. II,55. 57. 60. 61. 66. 73. 75. 76. 77. 78] 1995 64p
44. Grifanova, Marina Evgen'evnaTeoriâ bahovskoj fugi: Tema, protivosloženie--Na materiale fug Horošo temperirovannogo klavira. [The theory of Bach's fugues: Subject and countersubject—Analysis of the fugues from Das wohltemperirte Clavier] Kazan: Gosudarstvennaâ Konservatoriâ, 2009. 66p. ISBN: 978-5-85401-105-1. 2009 66p
45. Vaahtoranta, MarttiJ.S.Bach und das Luthertum--eine zufallige Kombination?: Bilderverehrung und Abendmahlsanbetung bei Johann Gerhard. [J.S. Bach and Lutheranism--a coincidental combination?: Veneration of images and the veneration of the sacrament of Communion in the works of Johann Gerhard] In: Grundbegriffe christlicher Asthetik. Wiesbaden: Harrassowitz, 1997. 172p. ISBN: 3-447-03855-1. 1997 67-77
46. Henderson, A. M. (ed.)An introduction to Bach for the organ. Selected, fingered and edited by A. M. Henderson. - Glasgow: Bayley & Ferguson, 1930. 68p. [Ermuntre dich, mein schwaches Geist -- Freu' dich sehr, o meine Seele -- Nun lasst uns Gott -- O Lamm Gottes Unschuldig -- Passion Chorale -- Schmücke dich o liebe Seele -- Vater unser im Himmelreich -- Christ ist erstanden -- Erbarm' dich mein, O Herre Gott -- Herr Jesu Christ, dich zu uns wend -- Herr Jesu Christ, meines Lebens Licht -- Herzlich thut mich verlangen -- Liebster Jesu, wir sind hier -- Vater unser im Himmelreich -- Aria in D major -- Fantasia in C minor -- Prelude and fugue in B flat -- Prelude and fugue in C minor -- Prelude and fugue in E minor -- Prelude and fugue in F -- Prelude and fugue in G minor -- Prelude in E minor -- Prelude from Church cantata -- Sarabande -- Sarabande in D major -- Sarabande in E flat -- Sarabande in F -- Siciliano in G minor -- Adagio in A minor.] 1930 68p
47. Zadora, MichaelAria (G-Dur) aus der Matthäus-Passion für Pianoforte zum Konzertvortrag bearb. v. Michael Zadora. - Berlin: Bote & Bock, c1916. 7p. Pl.-Nr.: 18653. [Presumably 'Gebt mir meinen Jesum wieder', BWV 244/42] 1916 7p
48. Zadora, Michael (arr.)Präludium und Fuge in A moll von Joh. Seb. Bach. [Für Pianoforte] übertragen von Michael Zadora. - Leipzig [u.a.]: Leuckart, c1917. 3-7p. Pl.-Nr. F.E.C.L. 7651. [BWV 551] 1917 7p
49. Carbonell Gras, Juan MiguelDescubre la música cantando a J.S. Bach: 20 lecciones de solfeo de fácil a mediana dificultad. [Discovering music by singing J.S. Bach: Twenty easy and intermediate lessons in solfège] Trans. by Carlos Jimeno. Valencia: Rivera, 1991. 83p. 1991 83p
50. Henderson, A. M. (arr.)Wake, awake! for Night is flying = Wachet auf! ruft uns die Stimme: chorale for voices in unison from the church cantata 'Sleepers, wake!' / Bach Edited by A. M. Henderson. [words by] Catherine Winkworth. - London, Glasgow: Bayley & Ferguson, [1931] 8p. Pl.-Nr.: C. A. 1470. (= The Choral Album, No. 1470) [BWV 140/4] 1931 8p
51. Chastellux, François-Jean Marquis deEssai sur l'union de la poésie de la musique. La Haye, 1765. - [Réimpr. de l'éd. de La Haye et Paris, 1765] Genève: Slatkine Reprints, 1970. iv, 94 p 1756 94p
52. Zadora, Michael (arr.)Präludium und Fuge in D moll von Joh. Seb. Bach. [Für Pianoforte] übertragen von Michael Zadora. - Leipzig [u.a.]: Leuckart, c1917. 3-9p. Pl.-Nr. F.E.C.L. 7652. [BWV 539] 1917 9p
53. Perreault, Jean M.The Thematic Catalogue of the Musical Works of Johann Pachelbel. Ed. by Donna K. Fitch, forward by Christoph Wolff. Lanham, Maryland: The Scarecrow Press, 2004. xiii, 414p 2004 xiii, 414p
54. Mather, Betty Bang; Karns, Dean M.Dance Rhythms of the French Baroque: a Handbook for Performance. Indiana Univ.Press, Bloomington & Indianapolis 1987, xiv, 334p. ISBN: 0-253-31606-5; 0253316065. (= Music: Scholarship and performance) 1987 xiv, 334p
55. Tihonova, Mariâ MihajlovnaOpera Boârynâ Morozova R. Sedrina: K probleme žanrovogo arhetipa. [Opera Boârynâ Morozova of R. Sedrin: To a problem of the genre archetype] AktualnyeProblemy 2:12 2009 18-20
56. European American MusicThe New Bach Edition. AmerOrganist(2) 19 3 Mar 1985 73
57. Yamada, MitsuguBach no Mubanso Sakuhin no Henkyoku / Kenbanka. [1] [Versuch einer Transkription von 'Soli senza Basso'zur Dergleichen 'con Basso' in Bach'schen Werken 1] AnnGifuShotokuGakuenU 41 2002 127-148
58. Yamada, MitsuguBach no Mubanso Sakuhin no Henkyoku / Kenbanka (2). [Versuch einer Transkription von 'Soli senza Basso'zur Dergleichen 'con Basso' in Bach'schen Werken (2)] AnnGifuShotokuGakuenU 42 2003 53-71
59. Yamada, MitsuguBach no Mubanso Sakuhin no Henkyoku / Kenbanka (3). [Versuch einer Transkription von 'Soli senza Basso'zur Dergleichen 'con Basso' in Bach'schen Werken (3)] AnnGifuShotokuGakuenU 44 2005 47-63
60. Falletta, Martina; Mehlhorn, Annette; Siegele, Ulrich (eds.)Georg Philipp Telemanns Passionsoratorium 'Seliges Erwägen' zwischen lutherischer Orthodoxie und Aufklärung. Theologie und Musikwissenschaft im Gespräch. Hrsg. von Martina Falletta, Annette Mehlhorn, Ulrich Siegele. - Frankfurt am Main: Haag + Herchen, 2005. 282, ix p. ISBN: 3-89846-311-7 (= Arnoldshainer Texte, 127) ArnoldshainerTexte 127 2005 282, ix p
61. Pinggera, MarioBachs Orgelwerk chronologisch. Diskussion. ArsOrgani 55 3 Sep 2007 205
62. Falletta, Martina; Ward, Jennifer A.Conference Report: 'Sammeln - Musizieren - Forschen. Zur Dresdner Höfischen Musik des 18. Jahrhunderts'. BachNotesABS 24 Spring 2016 9-11
63. Kanazawa, MasakataJohann Sebastian Bach to Watashi. [Johann Sebastian Bach and I] BachZenshu 2 Apr 1997 86-95
64. Nishihara, MinoruBach to Keizai Seikatsu. Bach no Shogai. [Bach's life: Bach and Economic Life] BachZenshu 2 Apr 1997 144-158
65. Nishihara, MinoruBach no Kyutei Seikatsu. Bach no Shogai. [Bach's life: Bach's Life in Court] BachZenshu 6 Apr 1998 166-176
66. Wakakuwa, MidoriKaiga ni arawareta 'Ieru Junan' no sugata: Catholic to Protestant. [The figure of 'Jesus's Crucifixion' in paintings: Catholic and Protestant] BachZenshu 7 Oct 1996 102-115
67. Ohara, MayumiBach-ke no 'Kazoku no Shozo'. [Bach family's 'Family portrait'] BachZenshu 8 Jan 1998 112-121
68. Nishihara, MinoruBach no Shogai: 19-Seiki Kindai ni okeru Bach no Egakarekata. Bach no Shogai. [Bach's life: The way Bach was portrayed in the 19th century] BachZenshu 10 Jan 1998 192-206
69. Nishihara, Minoru19-Seiki no Cembalo Fukko. [Harpsichord revival in the 19th century] BachZenshu 11 Jul 1996 88-100
70. Oyama, Mayumi[Fukugen Kyosokyoku] BWV 1055R, 1060R, 1052R, 1053R, 1059R, 1064R. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [concertos in reconstruction; commentary] BachZenshu 14 Dec 1995 208-211 [50-53]
71. Oyama, MayumiBach no Chenbaro Kyosokyoku. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [Bach's cembalo concertos; commentary; BWV 1052-58, 1060-1065] BachZenshu 14 Dec 1995 211-221 [40-50]
72. Inoura, Michio'Esutoro' ni michita Toshi, Venezia. Venice - filled by 'estero'. BCJ 8 Jul 1993
73. Inoura, MichioItaria Ryori no koto. [On Italian dishes] BCJ 10 Dec 1993
74. Ishiyama, MakiSuzuki Masaaki ni kiku 'Matai Junankyoku'. Program notes. [Asking Masaaki Suzuki about St Matthew Passion] BCJ 112 Apr 2015 10-15
75. Suzuki, Masaaki; Ishiyama, MakiInterview: Suzuki Masaaki ga kataru. Luther no Shukyokaikaku 500-Shunen ni yosete: Bach 'Chorale Cantata' no Miryoku, I. [Interview: Masaaki Suzuki speaks. On the 500th anniversary of Luther's reformation: The attractiveness of Bach's 'chorale cantatas', part 1] BCJ 113 Jun 2015 10-13
76. Nishihara, MinoruZakusen Chiho no Shomin no Seikatsu to Bach no Ongaku. [The life of ordinary people of Saxony and Bach's music] [Interview by Maki Ishiyama] BCJ 114 2015 10-12
77. Nishihara, MinoruKokkyokan no Seiji to Bach Ongaku no fukai Kakawari. [Deep relationship between the international politics and Bach's music] [Interview by Maki Ishiyama] BCJ 116 Feb 2016 32-36
78. Yamashita, Michiko'Schütz to Schein no Yube' ni yosete. [For the evening of Schütz and Schein] BCJ 13 May 1994
79. Taira, MaikoTotonotta Kyokai Ongaku to iu Kyukyoku Mokuteki. [Ultimate purpose called Well-regulated Church Music] BCJ 21 Nov 1995
80. Setaka, MichisukeCountertenor no 3tsu no Dojo. [three training grounds for countertenors] BCJ 34 Jun 1998 [16-19]
81. Yamashita, MichikoLeipzig to Bach no Kantoru Shunin. [Leipzig and Bach's appointment as cantor] BCJ 35 Sep 1998 20-25
82. Yamashita, MichikoKuhnau to Bach ... Futari no Thomas Kantoru. Kuhnau and Bach -- two Thomascantors. BCJ 37 Feb 1999 16-21
83. Ohazama, MorikoWaga Kokoro no BCJ. [My heart's BCJ] [Soritsu Kinen Bunshu / Anniversary Issue Essays] BCJ 43 Jul 2000 25-26
84. Oniwa, MidoriBCJ to Watashi. [BCJ and I] [Soritsu Kinen Bunshu / Anniversary Issue Essays] BCJ 43 Jul 2000 26-27
85. Taneda, MinoruBach to BCJ to Watashi. [Bach and BCJ and I] [Soritsu Kinen Bunshu / Anniversary Issue Essays] BCJ 43 Jul 2000 33-34
86. Fukuda, MitsuoBCJ Soritsu 10-Nen, Omedeto gozaimasu. [10 years of founding BCJ, congratulations.] [Soritsu Kinen Bunshu / Anniversary Issue Essays] BCJ 43 Jul 2000 42
87. Nishihara, MinoruBaroque Jidai no Kekkon to Ongaku. Tokubetsu Kiko. [Wedding and Music in Baroque Era] BCJ 98 Jul 2012 29-33
88. Schmidt, Christian MartinZwischen Quellentreue und Werkrezeption, oder, Dem Wandel des historischen Bewußtseins ist nicht zu entkommen. BeihEditio 17 2002 3-17
89. Marx-Weber, Magda; Marx, Hans Joachim (eds.)Ausgewählte Aufsätze zur geistlichen Musik / Arnold Schmitz. Paderborn [u.a.]: Schöningh, 1996. viii, 346p. ISBN: 3-506-70623-3. (= Beiträge zur Geschichte der Kirchenmusik, 3) BeitrGesKm 3 1996 viii, 346p
90. Waldura, MarkusHeinrich Christoph Koch--Hofkapellmitglied, Musiktheoretiker und Komponist. BeitrSchwarzburgKunstKulturGes 6 1997 147-178
91. Mila, MassimoLa vecchiaia di Bach. Belfagor 38 1983 253-264
92. Oyama, MayumiJ.S. Bach no Henkyoku Giho. (Bigakkai Dai-36-Kai Zenkoku Taikai Hokoku). [Die Bearbeitungstechnik von J. S. Bach (Papers Read at the 36th National Congress)] Bigaku 36 3 1985 51
93. Sugihara, Michio'R. Nak & His Tokyo Bach Band'. BrassBul 114 2001 84-86
94. Nishihara, MinoruDoitsu Keimoshugi no Ongaku Bigaku. Scheibe to 1750-Nen Zengo ni okeru 'Kanseigaku' to shite no Ongaku Bigaku no Shomondai. [Musikäthetik der deutschen Aufklärung: J.A. Scheibe und Probleme der Musikästhetik um 1750.] BulFacMTokyoGeijutsuDaigaku 9 Mar 1983 29-53
95. Yamada, MasahiroJ.S. Bach no Clavier Kumikyokushu ni okeru Allemand to Courante: Kifu ni yoru Bunrui to Tempo no Kankei. [Allemandes and Courantes in Suites for Clavier by J. S. Bach: The relationship between their tempi and types classified with notation] BulSeitokuU 15 2004 91-98
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98. Fuchs, Christian Martin; Leisinger, Ulrich (eds.)Das Bachbuch. Der Almanach zum Bachfest Salzburg 2008. St. Pälten - Salzburg: Residenz Verlag, 2008. 158p. ISBN: 978-3-7017-3106-0. [ce]Bachfest_Salzburg 2008 158p
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102. Kanazawa, Masakata (ed.)Dare mo iwanakatta 'Dai-Ensoka Bach' Kanshoho. Tokyo: Kodansha, 2000. 334p. [Appreciation methods that no one mentioned] [ce]Daremoiwanakatta 2000 334p
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104. Brzoska, Matthias; Heinemann, Michael (eds.)Die Geschichte der Musik. I: Die Musik von den Anfängen bis zum Barock. Laaber: Laaber-Verlag, 2001. x, 395p. ISBN: 3-89007-521-5; 3-89007-520-7; 978-389007-520-4. [ce]GeschichteDerMusik 1 2001 x, 395p
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106. Tolstobrova, Marina Sergeevna (ed.)Kak ispolnât' Baha. [Performing J.S. Bach's works] Moskva: Klassika-XXI, 2006. xxi, 208p. ISBN: 5-89817-148-7; 978-5-89817-148-3. (= Master-klass, 2006) [ce]KakIspolnjatBaha 2006 xxi, 208p
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111. Dinglinger, Wolfgang; Schmidt, Christian Martin (eds.)De Matthäus-Passion: 100 jaar passietraditie van het Koninklijk Concertgebouworkest. Bussum: Thoth, 1999. 174p (with 1 CD). ISBN: 90-6868-218-0. [ce]MatthausPassion100JPKC 1999 174p
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115. Bogdan, Izabela; Miernikiewicz, Patryk'Confessio fidei Bachiana'. Religious Experience of God in the Works of Johann Sebastian Bach. CompostelaPrize 2 2002 205-215 [cr]Regensburg2000
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117. Markovic, Tatjana; Mikic, Vesna (eds.)Music & networking: The seventh international conference, Department of Musicology and Ethnomusicology, Faculty of Music, University of Arts, Belgrade. [seventh international conference of the Department of Musicology and Ethnomusicology, Fakultet Muzicke Umetnosti, Univerzitet Umetnosti; Belgrade; 2004] Beograd: Fakultet Muzicke Umetnosti, 2005. 310p. ISBN: 86-83745-52-X. (= Musicological studies: Proceedings, 1) [cr]Belgrade2004 2005 310p
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120. Brzoska, Matthias; Hofer, Hermann; Strohmann, Nicole K. (eds.)Hector Berlioz: Ein Franzose in Deutschland. [Beiträge des Internationalen Musikwissenschaftlichen Kongresses 'Hector Berlioz und die Deutschen', der im Rahmen des Berlioz-Festivals vom 16. - 18. Juni 2003 in Kooperation mit der Philipps-Universität Marburg an der Folkwang-Hochschule in Essen-Werden stattfand] Laaber: Laaber-Verlag, 2005. 352p. ISBN: 3-89007-600-9. [cr]Essen2003 2005 352p
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122. Ciglar, Miha; Marolt, Matija; Kaltenbrunner, Martin (eds.)Non-cochlear sound: ICMC 2012 ; proceedings of the International Computer Music Conference ; 9. - 14. September 2012, Ljubljana, Slovenia / IRZU. Institute for Sonic Arts Research; [IMCA, International Computer Music Association]. Conference chair: Miha Ciglar. Proceedings co-ed.: Matija Marolt ... - San Francisco: International Computer Music Association, 2012. 617p. ISBN: 0-9845274-1-9; 978-0-9845274-1-0. [cr]ICMC2012 2012 617p
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125. Dulat-Aleev, Vadim Robertoviè; Bražnik, Larisa Vladimirovna; Maklygin, Aleksandr L'voviè (eds.)Nauka o muzyke: Slovo molodyh uèenyh—Materialy III Vserossijskoj Nauèno-Praktièeskoj Konferencii. [Music scholarship: Research by young scholars—Proceedings of the Third All-Russian Scholarly Conference] [Nauka o muzyke: Slovo molodyh uèenyh (2008): Kazan', Russia] - Kazan': Gosudarstvennaâ Konservatoriâ, 2009. 467p. ISBN: 5-85401-122-0; 978-5-85401-122-8; 978-5-85401-122-8. [cr]Kazan2008 2009 467p Latin 2
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129. Antolini, Bianca Maria; Mastroprimiano, Costantino; Scarpellini Pancrazi, Francesco (eds.)Il giovane Mendelssohn: Atti del Convegno internazionale di studi (Perugia, Conservatorio 'F. Morlacchi', 4-5 dicembre 2009). a cura di Bianca Maria Antolini, Costantino Mastroprimiano, Francesco Scarpellini Pancrazi. - Lucca: Libreria Musicale Italiana (LIM), 2016. 248p. ISBN: 978-88-7096-843-9; 88-7096-843-X. (= Strumenti della ricerca musicale: Collana della Società Italiana di Musicologia, 21) [cr]Perugia2009 2016 248p
130. Nogueira, Marcos (ed.)Anais do 5º Colóquio de Pesquisa da Pós-Graduação da Escola de Música da UFRJ. [Proceedings of the 5th Colloquium on Graduate Studies of the Music School of the UFRJ] Rio de Janeiro,Brazil: Universidade Federal do Rio de Janeiro,Escola de Música, 2004. [cr]RioDeJaneiro2004 2004
131. Pereira, MayraA boa execução em instrumentos de teclados segundo o Ensaio sobre a maneira correta de tocar teclado, de C.P.E. Bach. [Good keyboard music performance according to C.P.E. Bach's Versuch uber die wahre Art das Clavier zu spielen] [cr]RioDeJaneiro2004 2004 33-36
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135. Rideout, Sarah MargaretJohann Sebastian Bach's solo cantatas for soprano. Tallahassee, The Florida State Univ. 1974. diss. 1974
136. Murata, MargaretExtravagant Harmony and Dissonance in Early 'Seicento' Keyboard Music: 'Stravaganze' and 'Durrezze e ligature'. M.A. diss., Univ. of Chicago, 1971. diss. 1971
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139. Yoshida, MiwakoC.P.E. Bach no Klavier Konzert Wq.43 no gakufu kotei. [A revision of the score of the clavier concertos Wq. 43 by C.P.E. Bach.] MA diss., Musicology: Ochanomizu University, 1976. 2v. 75p diss. 1976 75p
140. Kostka, MagdalenaSonatas for violin and basso continuo written by British composers in the first half of the eighteenth century. PhD diss., University of Cardiff, June 2014. vii, 437p. diss. 2014 vii, 437p
141. Hughes, Indra Nicholas MartindaleAccident or Design? New Theories on the Unfinished Contrapunctus 14 in J. S. Bach's The Art of Fugue BWV 1080. DMA diss., University of Auckland, 2006. viii, 188p. diss. 2006 viii, 188p
142. Boelcke, Andreas M.Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. DMA diss., University of Cincinnati, 2008. xii, 81p. diss. 2008 xii, 81p
143. Niitsuma, MasahiroTowards automated discovery of knowledge from Bach's original manuscripts. PhD diss., Queen's University Belfast, 2013. xv, 132p. diss. 2013 xv, 132p
144. A. M.John Sebastian Bach (From Grove's 'Dictionary of Music and Musicians'). [To be continued] DwightJM 37 24 2 Mar 1878 187-188
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146. Freemanová, Michaela; Mikanová, Eva'My honourable lord and father...': 18th-century English musical life through Bohemian eyes. EarlyM 31 2 May 2003 210-231
147. Bania, Maria; Skowroneck, TilmanAffective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers. EarlyM 48 2 2020 193-203
148. Schmidt, Gustav Martin (arr.)Suite No. 1-3 für Orchester componirt von Johann Sebastian Bach arrangiert für Pianoforte zu vier Händen von G. M. Schmidt. - Leipzig: C. F. Peters, [1882]. 72p. Pl.- Nr.: 6674. - repr. Best.-Nr.: Edition Peters, 226. [BWV 1066, 1067, 1068] EdPeters 226 1882 72p
149. Della Chiesa d'Isasca, MarcoPer una rilettura di Bach: Osservazioni sulla struttura, sulle componenti stilistiche e sulla interpretazione del preludio e fuga in do diesis maggiore (n.3) dal secondo volume del Clavicembalo ben temperato di J.S. Bach. II. [Rereading Bach: Observations on the structure and interpretation of the prelude and fugue in C# major (no. 3) from the Wohltemperirtes Clavier II by J.S. Bach. II] Eunomio 20 Spring-Summer 1993 3-17
150. Della Chiesa d'Isasca, MarcoPer una rilettura di Bach: Osservazioni sulla struttura e sulla interpretazione del preludio e fuga in fa maggiore (N. 11) dal primo volume del Clavicembalo ben temperato di J.S. Bach. [Rereading Bach: Observations on the structure and interpretation of the prelude and fugue in F major (no. 11) from the Wohltemperirtes Clavier I by J.S. Bach] Eunomio 7 Fall 1987 3-10
151. Moreno i Morera, ModestNun komm, der Heiden Heiland. http://www.filomusica.com/filo23/modest.html Filomusica 23 Dec 2001
152. Moreno i Morera, ModestJ.S. Bach: Misa en si menor. Por la entrañable misericordia de nuestro Dios nos visitará el sol que nace de lo alto, para iluminar a los que viven en tinieblas y en sombras de muerte, para guiar nuestros pasos por el camino de la paz. http://www.filomusica.com/filo58/misa.html Filomusica 58 Nov 2004
153. Dreese, Mia; Maas, HansCarl Philipp Emanuel Bach: Sonata per il Flauto traverso solo senza Basso, I: Poco adagio. Analyse. Fluit 11 2 Mar 2003 10-15
154. Sicca, MarioRiflessioni di un chitarrista su alcuni problemi di articolazione nelle opere per liuto di J. S. Bach. Fronimo 13 52 1985 15-24
155. Sicca, MarioNote critiche sul problema delle trascrizioni per chitarra. [Critical notes on the problem of guitar transcriptions.] Fronimo 3 11 Apr 1975 23-25
156. Schmierer, Elisabeth; Fontaine, Susanne; Grunzweig, Werner; Brzoska, Matthias (eds.)Töne, Farben, Formen. Über Musik und die bildenden Künste. Festschrift Elmar Budde zum 60. Geburtstag. Laaber: Laaber-Verlag, 1995. x, 369p. ISBN: 3-89007-314-X. [fs]Budde60 1995 x, 369p
157. Ûžak, Kiralina Iosifovna; Milka, Anatolij Pavloviè; Frid, Rafael' Zalmanoviè; Rajskin, Iosif GenrihovièAleksandr Naumoviè Dolžanskij: Sbornik statej k 100-letiû so dnâ roždeniâ. [Aleksandr Naumoviè Dolžanskij: Collection of articles on the centenary of birth] - Sankt-Peterburg: Sudarynâ, 2008. 512p. [fs]Dolzanskij100 2008 512p Latin 2
158. Schmidt, Christian MartinStabilität und Varietät: Zum ersten Satz von Bachs viertem Brandenburgischen Konzert BWV 1049. [fs]Kross60 1990 87-94
159. Kopiez, Reinhard; Barthelmes, Barbara; Gembris, Heiner; Kloppenburg, Josef; Loesch, Heinz von; Neuhoff, Hans; Rotter, Gunther; Schmidt, Christian MartinMusikwissenschaft zwischen Kunst, Ästhetik und Experiment: Festschrift Helga de la Motte-Haber zum 60. Geburtstag. Würzburg: Konigshausen & Neumann, 1998. xxx, 670p. ISBN: 3-8260-1524-X. [fs]Motte-Haber60 1998 xxx, 670p
160. Schmidt, Christian MartinAnalyse und Geschichtsauffassung. Bachs Präludium und Fuge für Orgel BWV 552. [fs]Stephan65 1990 97-111
161. Szoka, Marta (ed.)Arcana musicae. ed. Marta Szoka. - Lódz: Akademia Muzyczna, 1999. 217p. ISBN: 83-901135-2-X. [fs]Wesolowski 1999 217p
162. Henderson, A. M. (ed.)Fugue G minor / Bach. Edited by A.M Henderson. - London: Bayley & Ferguson, [c.1900]. Best.-Nr. B & F. 1629; B & F.O.A.5. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.5) [BWV 578] GemsOrg 5 c 1900
163. Henderson, A. M. (ed.)Siciliano from 2nd flute and piano sonata / Bach. Edited by A.M Henderson. - London: Bayley & Ferguson, [c.1900]. Best.-Nr. B & F. 1629; B & F.O.A.5. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.5) [BWV 1031/2 (Anh. II)] GemsOrg 5 c 1900
164. Henderson, A. M. (ed.)Prelude and fugue in E minor / Bach. Edited by A.M Henderson. - London: Bayley & Ferguson, [c.1900]. Best.-Nr. B & F. 1629; B & F.O.A.5. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.5) [BWV 533] GemsOrg 5 c 1900
165. Henderson, A. M. (ed.)Choral prelude 'Vater unser im Himmelreich' (Our Father which art in Heaven) / Bach. Edited by A.M Henderson. - London: Bayley & Ferguson, [c.1900]. Best.-Nr. B & F. 1629; B & F.O.A.5. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.5) [BWV 737] GemsOrg 5 c 1900
166. Sicca, MarioArticulation in the Lute Music of J. S. Bach. GuitarReview 63 1985 26-31
167. Starosta, MiloslavChopinova umelecká poetika a jej rezonancia. [Chopin's artistic poetry and its resonance] HudobnyZivot 42 5 2010 6-9
168. Niitsuma, Masahiro; Fujinami, Tsutomu; Tomita, YoThe Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century. In: Keiji Hirata, George Tzanetakis, Kazuyoshi Yoshii (eds.): Proceedings of the 10th International Society for Music Information Retrieval Conference, ISMIR 2009, Kobe International Conference Center, Kobe, Japan, October 26-30, 2009. International Society for Music Information Retrieval 2009, ISBN 978-0-9813537-0-8, pp. 519-524. ISMIR 10 2009 519-523
169. Niitsuma, Masahiro; Tomita, YoClassifying Bach's Handwritten C-Clefs. In: Anssi Klapuri, Colby Leider (eds.): Proceedings of the 12th International Society for Music Information Retrieval Conference, ISMIR 2011, Miami, Florida, USA, October 24-28, 2011. University of Miami 2011, ISBN 978-0-615-54865-4, pp. 417-422. ISMIR 12 2011 417-422
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173. Matsuda, MarikoC.P.E. Bach no Clavier Sonata -- Dai-1-Gakusho no Yoshiki no Hensen -- Dai-2-Ki (1749-1759) Shin'yoshiki Kakudai no Jidai. [C. P. E Bach's clavier sonatas: the transition of the first movement's style in the second period (1749-1759): the period of development of new style] JPTABul 21 2005 71-82
174. Matsuda, MarikoC.P.E. Bach no Clavier Sonata -- Dai-1-Gakusho no Yoshiki no Hensen -- Dai-3-Ki (1760-1786) Berlin Jidai no owari to Hamburg Jidai, narabini Zentai no matome. [C.P.E. Bach's clavier sonatas: the transition of the first movement's style in the third period (1760-1786): the end of Berlin period and Hamburg period, and whole period (1731-1786) of his sonatas] JPTABul 23 2007 67-80
175. Škerjanc, Lucijan MarijaJ. S. Bach (Ob 250 letnici rojstva.) [J. S. Bach (marking his 250th birthday)] Jutro 16 67 21 Mar 1935 6
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177. Oyama, MayumiDai-1-Kai (4 Gatsu 11 Nichi): J. S. Bach no Klavier Ongaku ni okeru Tayo na Yoshiki: Kyosokyoku Yoshiki o Chushin ni. [No.1 (11 April): Various styles among the keyboard works of J.S. Bach: focusing on concerto style] KunitachiColMResearchInstBul 25 2012 95-99
178. Schmidt, Christian MartinLobgesang--oder: Große Musik für Leipzig. LeipzigMStadt 1 2004 163-172
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181. Zijlstra, MiepEen vernieuwde Johannes-Passie. MensMelodie 28 1973 115-117
182. Brandazza, Eva; Brandazza, MarcoMarco Enrico Bossi und die ital. Orgelbaukunst seiner Zeit. MGottesd 60 3 May 2006 104-111
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186. Fuchs, Christian MartinVon Biber bis Harnoncourt, von Muffat bis Bolton. Das 83. Bachfest der Neuen Bachgesellschaft 2008 in Salzburg. Aus der Arbeit von Vorstand und Direktorium. MtblNBG 60 Sommer 2007 14-15
187. Friedrich, Dorothea; Maul, Michael'Elf Tage eine riesige BachßSelbsthilfegruppe'. [Ein Gespräch von Dorothea Friedrich mit dem Intendanten des Bachfestes Prof. Dr. Michael Maul über seine Vorfreude auf das 95. Bachfest der Neuen Bachgesellschaft in Leipzig.] Bachfest Leipzig 2020. MtblNBG 86 2020 3-5
188. Schmidt, Christian MartinZur Entwicklung der Form im emphatischen Sinne: Bachs Orgelpräludium h-moll BWV 544. Mtheorie 1 3 1986 195-204
189. Waldura, MarkusZu Johann Matthesons Lehre von den Ab- und Einschnitten der Klang-Rede. Mtheorie 16 3 2001 195-219
190. Goodhart, A. M.Suggestions for the Pianoforte Accompaniment of Choral Singing. Letters to the Editor. MTimes 72 1056 Feb 1931 155-156
191. Gifford, A. M.Bach on the Modern Organ. MTimes 74 1088 Oct 1933 934
192. Videla, MarioLa Biblia personal de J.S. Bach. [J.S. Bach's personal Bible] MusicaInvestigacion 3 6 2000 135-142
193. Schmidt, Christian MartinAnalyse und Geschichtsauffassung. Bachs Präludium und Fuge für Orgel BWV 552. MuziekWetenschap 1 1991
194. Zorilova, Ljudmila S.; Sidorova, Margarita Borisovna (eds.)Muzykal'naja pedagogika: Ispolnitel'stvo. III. Moskva, Russia: Moskovskij Gosudarstvennyj Institut Kul'tury, 1998. 105p. MuzykalnajaPedagIspol 3 1998 105p
195. Lupanova, M.Vesna pod znakom Baha. [Spring under the sign of Bach] [Reports of the Bach-Fest in Ekaterinburg in March 2016.] MuzykalnajaZizn 4 2016 72
196. Drozdova, Marina Anatol'evnaJudina: Vzgljad na HTK. [Marija Judina: A view of Das wohltemperierte Klavier] MuzykalnajaZizn 7 2000 9-11
197. Tihonova, Mariâ MihajlovnaOpera Boârynâ Morozova R. Sedrina: K probleme žanrovogo arhetipa. [R. Sedrin's opera Boârynâ Morozova: On genre archetypes] - repr. of article published in 2009. MuzykaVremja 3 2011
198. Škerjanc, Lucijan MarijaTrije glasbeni jubileji. [Three musical anniversaries] NasVal 2 12 1935 6-7
199. Brezneva, Irina Vâceslavovna; Malinina, Galina Mihajlovna (eds.)Russkie muzykal'nye arhivy za rubezom, zarubeznye muzykal'nye arhivy v Rossii. [Russkie muzykal'nye arhivy za rubezom, zarubeznye muzykal'nye arhivy v Rossii; Moscow; 1998] Moskva: Gosudarstvennaâ Konservatoriâ imeni P. I. Èajkovskogo, 2000. 237p. ISBN: 5-89598-083-X. (= Naucnye trudy Moskovskoj Gosudarstvennoj Konservatorii im. P. I. Èajkovskogo, 31) NaucnyeTrudy 31 2000 237p Latin 2
200. Voinova, Marina VladislavovnaSimvolika I. S. Baha v organnoj muzyke XX veka. [J. S. Bach's symbolism in 20th-century organ music] NaucnyeTrudy 56 2006 121-132 [ce]MuzykaIPropoved conflict between Libero and RILM
201. Lesovicenko, A. M.Organnaja tradicija kak vyrazenie protestantskogo miropredstavlenija. NaucnyeTrudy 56 2006 133-138 [ce]MuzykaIPropoved
202. Saponov, Mihail Aleksandroviè; Zenkin, Konstantin Vladimiroviè; Voinova, Marina Vladislavovna (eds.)Muzyka i propoved': K interpretacii naslediâ I. S. Baha [2003]; materialy naucnoj konferencii. [Music and sermon: On the interpretation of J.S. Bach's compositions] - Moscow: Gosudarstvennaâ Konservatoriâ imeni P. I. Èajkovskogo, 2006. 224p. ISBN: 5-89598-164-X; 978-5-89598-164-1. (= Nauènye trudy Moskovskoj Gosudarstvennoj Konservatorii im. P. I. Èajkovskogo, 56) NaucnyeTrudy 56 2006 224p [ce]MuzykaIPropoved, Latin 2
203. Brežneva, Irina Vâèeslavovna; Malinina, Galina Mihajlovna (eds.)Russkie muzykal'nye arhivy za rubežom, zarubežnye muzykal'nye arhivy v Rossii. V: Materialy meždunarodnyh konferencij. [Russian musical archives abroad, foreign musical archives in Russia. V: Proceedings from international conferences] Moskva: Gosudarstvennaâ Konservatoriâ imeni P. I. Èajkovskogo, 2010. 252p. ISBN: 5-89598-233-6; 978-5-89598-233-4. (= Nauènye trudy Moskovskoj Gosudarstvennoj Konservatorii im. P. I. Èajkovskogo, 66) NaucnyeTrudy 66 2010 252p Latin 2
204. Jira, MartinVerwendete Johann Sebastian Bach beim Komponieren der Chromatischen Fantasie und Fuge d-moll BWV 903 eine offene Temperatur? NMwJb 9 2000 37-47
205. Kolb, Andreas; Koch, Juan Martin (eds.)Fernüberwachung Bach'scher Fugen: Zum 100. Geburtstag des Kantors, Organisten und Komponisten Herbert Collum. http://www.nmz.de/artikel/fernueberwachung-bach-scher-fugen NMz(Regensburg) 63 12 2014
206. Koch, Juan Martin; Kolb, AndreasVom Kinderlied zur Bachmotette: Fachtagung zur Förderung vokaler Betätigung an Musikschulen und allgemeinbildenden Schulen. http://www.nmz.de/artikel/vom-kinderlied-zur-bachmotette NMz(Regensburg) 64 6 2015
207. Laterza, MarilenaAlio modo: Sulle trascrizioni bachiane di György Kurtág. [Alio modo: On the Bach transcriptions by György Kurtág] NuoveMusiche 2 2017 135-155
208. Ogawa, MasafumiAn analysis of Reinhard Keiser's St. Mark's Passion. OitaDaigakuKGKK 14 2 1992 309-324
209. Kada, MarikoC. Ph. E. Bach no Chenbaro Kyosokyoku. [C.P.E. Bach's harpsichord concertos] OngakuGaku 14 1-2 1968 65-75
210. Oyama, MayumiJ. S. Bach no Senritsu Gakki to obligato cembalo no tame no Sonata. [J. S. Bach's Sonatas for melodic instruments and obbligato harpsichord] OngakuGaku 29 2 1983 186-198
211. Oyama, MayumiGendai no Bach Kenkyu -5- Bach no Henkyoku Giho. [Modern Bach research -5- Bach's transcription techniques] OngakuGeijutsu 43 7 1985 82-89
212. Yamashita, MichikoDoitsu no Kenban Kumikyoku ni fukumareru Allemande: Takuto-ron no Suii kara mita Yoshiki Bunseki no kokoromi. [Allemande contained in German Keyboard Suites: an attempt of style analysis from the transition of the Beat Theory] OngakuKenkyu 4 1982 1-36
213. Lobanova, MarinaBild, Wort und Ton: Wie Johann Sebastian Bach Sinnbilder des Barock musikalisch umsetzte. Orchester(Mainz) 45 4 1997 23-30
214. Bach Bachtischa, MichaelDie Suiten für Violoncello von Johann Sebastian Bach: Einige Gedanken zu ihrer Ausführung mit dem Rundbogen. Orchester(Mainz) 45 7-8 1997 16-20
215. Tsukioka, MasaakiAn interpretation of BWV 532. OrganYb 32 2003 99-107
216. Tsukioka, MasaakiKenban Gakki no Rekishiteki Soho ni tsuite. An old method of playing keyboard instruments. OruganKenkyu 1 1973 13-24
217. Tsukioka, MasaakiBach no Soshoku Kigo ni tsuiteno Ichikosatsu. Orugan Sakuhin no Jitsurei o Chushin to shite. [A study on Bach's ornaments: focusing on the examples from his organ works] OruganKenkyu 17 1989 1-20
218. Hayasaka, MakikoHubert Parry no Orugan Koraru: 20-Seiki Shoki Eikoku ni okeru 'Bach-Teki' Ongaku Goho no Eikyo to sono Juyo. [Hubert Parry's Organ Chorale: The Influence and Reception of Bachian Musical Idioms in Early Twentieth-Century Britain] OruganKenkyu 40 2012 60-74
219. Tsukioka, MasaakiNitancho Toccata BWV 565 wa J. S. Bach no Orugan Kyoku ka. Peter Williams no Ronbun Shokai. [Is the D-minor Toccata BWV 565 BAch's Organ work? Introducing Peter Williams' article] OruganKenkyu 9 1981 33-46
220. Stockigt, Janice B.; Owens, Samantha; Szuster, Jula; Maddox, Alan'Bach the Sublime': Australasian Reception of the St. Matthew Passion, 1875-1950. A dialogue session presented at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. [p]BNUK_Warsaw Jul 2013
221. Sousa, Natanael Martins de; Maia, Marcos da SilvaUma digitação do Prelúdio da Suíte para Alaúde BWV 997 de J. S. Bach transcrito para o violão. [Fingering J. S. Bach's Prelude from the BWV 997 Lute Suite transcribed for the guitar] PerMusi 32 Dec 2015 394-419
222. Nishihara, MinoruJ. N. Forkel ni yoru Bach no Sakuhin Shushu Katei to Shozo Sakuhin. [Process of J. N. Forkel's collecting of Bach's works and his collection of works] A paper read at the annual meeting of the Musicological Society of Japan held in Osaka University, 24-25 October 2009. [p]MSJ_Osaka Oct 2009
223. Niitsuma, Masahiro; Tomita, YoThe Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century. A poster presented at Interdisciplinary Symposium 'Music without Walls?' Source Studies in the 21st Century, held at School of Music and Sonic Arts, Queen's University Belfast from 16 to 17 December 2009. [p]MwW_Belfast Dec 2009
224. Kawabata, MaikoTraditions on Record: A Performance Analysis of the opening of Bach's Chaconne for Solo Violin. A paper read at Royal Musical Association, 30th Annual Music Research Students' Conference held at University Of Wales, Cardiff on 14-17 December 1996. [BWV 1004/5] [p]RMARS_Cardiff Dec 1986
225. Newman, S. T. M. [Sidney Thomas Mayow]Bach's Motet 'Singet dem Herrn' ('Sing ye to the Lord') 28 April, 1938. Sir Percy C. Buck, D.Mus., President, In the Chair. [BWV 225] ProceedRMA 64 1937-38 97-129
226. Lamla, Michael H.Musical Books of Patterns in Seventeenth-Century Italy. Paper read at Society for Seventeenth-Century Music, the Sixth Annual Conference April 16-19, 1998, School of Music, University of Illinois, Urbana-Champaign [p]SSCM_Illinois Apr 1998
227. Jira, MartinDer Einfluß musikalischer Temperaturen auf die Komposition der franzözischen Suiten von Johann Sebastian Bach. PubHochsMTheaterHannover 12 2002 249-254 [cr]Hannover2001
228. Videla, MarioAlbert Schweitzer, el organista. RadioClasica 10 115 Feb 1998 35-38
229. Mila, MassimoLa 'Messa in si minore' di Bach. Per soli, coro e orchestra -- Direttore: Herbert von Karajan. Mercoledì ore 21,45, Rete rossa -- Dal Teatro alla Scala di Milano. Radiocorriere 27 28 9-15 Jul 1950 7
230. Bonisconti, A. M.Terzo programma - Omaggi a Bach. Domenica, ore 21,50 - Lunedì, ore 22,25 - Martedì, ore 22,35 - Terzo programma. Subato, ore 17,20 - Rete azzurra. Radiocorriere 27 46 12-18 Nov 1950 13-14
231. Kanazawa, MasakataJunankyoku to Watashi. [Passion and I.] ReihaiToOngaku 132 Winter 2007
232. Oyama, MayumiBach Kenkyu no Ima. (Tokushu: Kyokai Ongakuka Bach) [Bach research today. (Specials: Church Musician Bach)] ReihaiToOngaku 161 Spring 2014 4-7
233. Lisecka, Ma³gorzataO poetyce tekstu Sankt-Bach-Passion Mauricia Kagela: Rekonesans badawczy. [About the poetics of the text Sankt-Bach-Passion by Mauricio Kagel: Research reconnaissance] ResFactaNova 9 18 2007 21-30 Latin 2
234. Alcaraz Iborra, Mario; Montañés, FranciscoRicardo Gallén y las suites para laúd de Bach. [Ricardo Gallén and the suites for lute by Bach] Ritmo 85 874 May 2014 48-49
235. Sylvestre, Loïc; Costa, MarcoThe mathematical architecture of Bach's The art of fugue. [Summry in Italian] SaggiatoreM 17 2 2010 175-195
236. Tonella Tüzün, Lilian MariaEsit Düzenlenmis Klavye ve Hristiyan Sembolizmi. [Das wohltemperierte Klavier and Christian Symbolism] SahneMüzik 2 2016 115-129
237. Sánchez-Archidona, MaríaRinaldo Alessandrini: 'La música de Bach es absolutamente perfecta'. [Rinaldo Alessandrini: 'Bach's music is absolutely perfect'] Scherzo(Spain) 21 203 Dec 2005 58-62
238. Henderson, A. M. (arr.)Eight organ chorale-preludes / BACH. Transcribed for the pianoforte by A. M. Henderson. To A. M. and W. B. Macgeorge. - New York, G. Schirmer, c1910. 4-23p. Pl.-Nr.: 23182. (= Schirmer's library of musical classics, 1087) [1. Herzlich thut mich verlangen (BWV 727), 2. Erbarm'dich mein, O Herre Gott (BWV 721), 3. Liebster Jesu, wir sind hier (BWV 731), 4. Es ist das Heil uns kommen her (BWV 638), 5. Ich ruf'zu dir, Herr Jesu Christ (BWV 639), 6. Herr Gott, nun sei gepreiset (BWV 601), 7. Wachet auf, ruft uns die Stimme (BWV 645), 8. O Mensch bewein' dein' Sünde gross (BWV 622)] [BWV 601, 622, 638, 639, 645, 721, 727, 731] SchirmerLib 1087 1910 23p
239. Blahynka, MiloslavReflexia Johanna Sebastiana Bacha vo filozofii 20. storoèia. [Johann Sebastian Bach as reflected in 20th-century philosophy] SlovenskaHudba 26 4 2000 417-424 Latin 2
240. Sala, Massimiliano (ed.)Piano culture in 19th-century Paris. Ed. Massimiliano Sala. [Compositori Mitteleuropei e la Nascità di un Virtuosismo Pianistico Francese/Central-European musicians and the birth of French piano virtuosity (2012): Rome] - Turnhout: Brepols, 2015. xii, 413p. ISBN: 978-2-503-55326-9. (= Speculum Musicae, 26) SpeculumM 26 2015 xii, 413p
241. Falletta, MartinaAnonym überlieferte Kantaten im Bestand der Universitätsbibliothek Frankfurt am Main. StMaterMw 49 2008 425-434
242. Falletta, Martina (ed.)RISM - Wissenschaftliche und technische Herausforderung musikhistorischer Quellenforschung im internationalen Rahmen: [Kongress vom 6. bis 9. März 2002 in der Frankfurter Hochschule für Musik und Darstellende Kunst] = Academic and technical challenges of musicological source research in an international framework. Hrsg. von Martina Falletta ... - Hildesheim, Zürich [u.a.]: Olms, 2010. 380p. ISBN: 978-3-487-14431-3. (= Studien und Materialien zur Musikwissenschaft, 58) StMaterMw 58 2010 380p
243. Kanikula, MaciejO fortepianowych interpretacjach muzyki na instrumenty klawiszowe J.S. Bacha w minionym stuleciu. [Piano interpretations of J.S. Bach's music for keyboard instruments in the last century] SwiatyDzwiekow 1 2016 8p
244. Falletta, MartinaTelemanns Kompositionen aus dem Blickwinkel neuer, durch das RISM-Projekt erschlossener Quellen. TelemannKonfBer 16 2011 178-207
245. Moller, Mathias MonradBesuch in der Zukunft. Kita des Forum Thomanum seit einem Jahr in Betrieb. Forum Thomanum. ThomanerJ 3 2010 22
246. Khalifa, MichelDe tegenstelling vlees-geest in twee motetten van Bach. [The contraposition of flesh-spirit in two motets by Bach] [BWV 226-227] TijdschrMtheorie 4 3 Nov 1999 189-205
247. Nishihara, MinoruJ. N. Forkel ni yoru J. S. Bach no Sakuhin Shushu Katei to Shozo Sakuhin. A study on J.N. Forkel's collection of works of J.S. Bach. TohoGakuenBul 35 2009 39-65
248. Nishihara, MinoruForkel no Bach-Collection no Rekishiteki Igi. J.N.Forkel's Collection of Bach's Works and its Historical Meanings. TohoGakuenBul 36 2010 27-46
249. Schmidt, Christian MartinEine subtile Hommage an Johann Sebastian Bach. Anmerkungen zum Kopfsatz der Orgelsonate f-Moll op. 65 Nr. 1 von Felix Mendelssohn Bartholdy. Tonkunst 3 2 Apr 2009 141-147
250. Schabram, Kai MariusDer Biograph Johann Adam Hiller: Anmerkungen zu den Lebensbeschreibungen berühmter Musikgelehrten und Tonkünstler (1784). Tonkunst 9 1 Jan 2015 20-27
251. Ulloa, MárioGavotte I BWV 995: redução e performance musical. [Gavotte I, BWV 995: Reduction analysis and performance] http://www.urucungo.com.br/artigos/ulloa/ulloa1.htm Urucungo 1 1 1998
252. Kostakeva, MarijaDer Teufel als Symbol des totalitaren Systems: Die neuen Mythen der Sowjet-Ara am Beispiel von Alfred Schnittkes Faust-Kantate. WortM 18 1993 ii: 611-620 [cr]Salzburg1992
253. Jira, MartinMusikalische Temperaturen in der Klaviermusik des 17. und frühen 18. Jahrhunderts. Tutzing: Schneider, 1997. 264p + 1 CD. ISBN: 3-7952-0877-7. (= Würzburger musikhistorische Beiträge, 17) WürzburgMHistBeitr 17 1997 264p
254. Jira, MartinMusikalische Temperaturen und musikalischer Satz in der Klaviermusik von J. S. Bach. [Zugl.: Würzburg, Univ., Diss, 1999. Rückent.: Musikalische Temperaturen bei J. S. Bach.] Tutzing: Verlag Hans Schneider, 2000. 319p + 1 CD. ISBN: 3-7952-1004-6. (= Würzburger musikhistorische Beiträge, 20) WürzburgMHistBeitr 20 2000 319p
255. Škerjanc, Lucijan MarijaG. F. Händel. ZivljenjeSvet 9:17 8, 9 17, 24 Feb 1935 215-219; 242-244
256. Škerjanc, Lucijan MarijaJ. S. Bach. ZivljenjeSvet 9:17 12 17 Mar 1935 329-330
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